ÜGLY
Found-wood figure arched over a raw wood block, dark slab head pierced by an eye, coiled-spring neck, two metal arms raising pale sticks, white background, work by Robert Bibeau

The Drummer

A standing figure about thirty inches tall: a found branch, twisted, looping into a curve above its base like a creature crouched and about to strike. Two pale, tapered wooden sticks are held aloft on hardware springs; at the top, a dark wooden slab pierced by a round eye suggests a muzzle, though the animal refuses to be named. The neck is a run of springs, a workshop version of a spine. Ordinary hardware is assigned the duties of flesh, and the scene rests on that strain: half beast, half mechanism, the drummer is frozen a fraction of a second before the stroke.

The Drummer: three-quarter view of a found-wood figure, flat head on a coiled-spring neck, two metal rods holding two pointed sticks, raw wood block base, white background.
The Drummer: side view facing left, the found-wood figure carries a horizontal stick and an upright one on its coiled metal arms, cube base with one dark green face.
Studio view, white background.
The Drummer, in a contemporary reception space
The Drummer, in a minimal gallery space
The Drummer, in a contemporary residential interior
The Drummer, in a contemporary residential interior
Video
Reading notes

The assemblage that ennobles found objects recalls Joseph Cornell. Yet the spring standing in for a neck pulls the piece elsewhere: a figure animated by a mechanism whose secret it does not hold, and that is where the unease lives.